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Matthew Arnold

Matthew Arnold

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English poet and cultural critic (1822 to 1888); author of Culture and Anarchy.

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  1. The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world, and, through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  2. What is alone and always sacred and binding for man is the climbing towards his total perfection, and the machinery by which he does this varies in value according as it helps him to do it.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  3. curiosity

    Culture is then properly described not as having its origin in curiosity, but as having its origin in the love of perfection; it is a study of perfection. It moves by the force, not merely or primarily of the scientific passion for pure knowledge, but also of the moral and social passion for doing good.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  4. religion

    Not a having and a resting, but a growing and a becoming, is the character of perfection as culture conceives it; and here, too, it coincides with religion.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  5. Faith in machinery is, I said, our besetting danger; often in machinery most absurdly disproportioned to the end which this machinery, if it is to do any good at all, is to serve; but always in machinery, as if it had a value in and for itself.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  6. Now, the use of culture is that it helps us, by means of its spiritual standard of perfection, to regard wealth as but machinery, and not only to say as a matter of words that we regard wealth as but machinery, but really to perceive and feel that it is so.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  7. He who works for machinery, he who works for hatred, works only for confusion. Culture looks beyond machinery, culture hates hatred; culture has but one great passion, the passion for sweetness and light.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  8. It seeks to do away with classes; to make all live in an atmosphere of sweetness and light, and use ideas, as it uses them itself, freely,—to be nourished and not bound by them. This is the social idea; and the men of culture are the true apostles of equality.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  9. Now, if culture, which simply means trying to perfect oneself, and one's mind as part of oneself, brings us light, and if light shows us that there is nothing so very blessed in merely doing as one likes, that the worship of the mere freedom to do as one likes is worship of machinery, that the really blessed thing is to like what right reason ordains, and to follow her authority, then we have got a practical benefit out of culture.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  10. By our everyday selves, however, we are separate, personal, at war; we are only safe from one another's tyranny when no one has any power; and this safety, in its turn, cannot save us from anarchy.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  11. We want an authority, and we find nothing but jealous classes, checks, and a dead-lock; culture suggests the idea of the State. We find no basis for a firm State-power in our ordinary selves; culture suggests one to us in our best self.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  12. So whatever brings risk of tumult and disorder, multitudinous processions in the streets of our crowded towns, multitudinous meetings in their public places and parks,— demonstrations perfectly unnecessary in the present course of our affairs,—our best self, or right reason, plainly enjoins us to set our faces against.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  13. happiness

    All of us, so far as we are Barbarians, Philistines, or Populace, imagine happiness to consist in doing what one's ordinary self likes.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  14. Therefore, when we speak of ourselves as divided into Barbarians, Philistines, and Populace, we must be understood always to imply that within each of these classes there are a certain number of aliens, if we may so call them,—persons who are mainly led, not by their class spirit, but by a general humane spirit, by the love of human perfection; and that this number is capable of being diminished or augmented.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  15. consciousness

    An unclouded clearness of mind, an unimpeded play of thought, is what this bent drives at. The governing idea of Hellenism is spontaneity of consciousness; that of Hebraism, strictness of conscience.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  16. Here again, therefore, as in the confusion into which the thought and action of even the steadiest class amongst us is beginning to fall, we seem to have an admonition that we have fostered our Hebraising instincts, our preference of earnestness of doing to delicacy and flexibility of thinking, too exclusively, and have been landed by them in a mechanical and unfruitful routine.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  17. If we look at the world outside us we find a disquieting absence of sure authority; we discover that only in right reason can we get a source of sure authority, and culture brings us towards right reason.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  18. family

    And as no man is to be excused in having horses or pictures, if his having them hinders his own or others' progress towards perfection and makes them lead a servile and ignoble life, so is no man to be excused for having children if his having them makes him or others lead this.

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  19. So that, for the sake of the present, but far more for the sake of the future, the lovers of culture are unswervingly and with a good conscience the opposers of anarchy.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book

  20. politics

    And he who leads men to call forth and exercise in themselves this power, and who busily calls it forth and exercises it in himself, is at the present moment, perhaps, as Socrates was in his time, more in concert with the vital working of men's minds, and more effectually significant, than any House of Commons' orator, or practical operator in politics.

    ↗Culture and Anarchy (1869, first edition)gutenberg.org All 20 from this book