korrents

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Why A.I. Isn't Going to Make Art

Ted Chiang · 31 Aug 2024 · newyorker.com

11 korrents from this piece

Ted Chiang did not write this page.

Every claim below was made in this piece, quoted word for word and numbered in the order the piece makes them, so you can read it there rather than take our word for it. The sentence above each quote is our reading of the claim, not their wording. Each quote was checked against a stored copy of the page at build time; where the two differ, the quote is the fact.

  1. But let me offer a generalization: art is something that results from making a lot of choices.
  2. One is to take an average of the choices that other writers have made, as represented by text found on the Internet; that average is equivalent to the least interesting choices possible, which is why A.I.-generated text is often really bland.
  3. The selling point of generative A.I. is that these programs generate vastly more than you put into them, and that is precisely what prevents them from being effective tools for artists.
  4. What I’m saying is that art requires making choices at every scale; the countless small-scale choices made during implementation are just as important to the final product as the few large-scale choices made during the conception.
  5. Believing that inspiration outweighs everything else is, I suspect, a sign that someone is unfamiliar with the medium.
  6. Generative A.I. appeals to people who think they can express themselves in a medium without actually working in that medium.
  7. Let me offer another generalization: any writing that deserves your attention as a reader is the result of effort expended by the person who wrote it.
  8. But a large language model is not a writer; it’s not even a user of language. Language is, by definition, a system of communication, and it requires an intention to communicate.
  9. The task that generative A.I. has been most successful at is lowering our expectations, both of the things we read and of ourselves when we write anything for others to read.
  10. It is a fundamentally dehumanizing technology because it treats us as less than what we are: creators and apprehenders of meaning. It reduces the amount of intention in the world.
  11. What you create doesn’t have to be utterly unlike every prior piece of art in human history to be valuable; the fact that you’re the one who is saying it, the fact that it derives from your unique life experience and arrives at a particular moment in the life of whoever is seeing your work, is what makes it new.